✨Ba gã cùng thuyền, chưa kể con chó

Ba gã cùng thuyền, chưa kể con chó (, ) là một bộ phim hài của hãng Lenfilm, được công chiếu lần đầu vào năm 1979.

Lịch sử

Bộ phim dựa theo tiểu thuyết cùng tên của tác giả Jerome Klapka Jerome.

Nội dung

Ba người bạn thân gồm Gee, Harris và George - mệt mỏi vì lười biếng và muốn cải thiện sức khỏe đang héo như lá của mình, quyết định đi du ngoạn bằng thuyền dọc sông Thames. Cùng với họ, họ đã mang theo con chó săn cáo Montmorency. Trước chuyến đi, họ đồng ý chi tiêu mà không có phụ nữ. Nhưng sau một thời gian, họ gặp ba người phụ nữ đi du lịch giống hệt họ : Anne, Emilia và Patricia. Lúc đầu, các chàng cố tỏ vẻ tôn trọng thỏa hiệp của họ, nhưng sau đó họ vẫn yêu những người phụ nữ này và họ cũng ở bên nhau. Đến khi sắp hết phim thì họ thành ba đôi vợ chồng.

Kĩ thuật

Sản xuất

Biên kịch: Semyon Lungin Đạo diễn: Naum Birman Nhiếp ảnh: Genrikh Maranyyan Thiết kế: Isaak Kaplan Hòa nhạc: Aleksandr Kolker Thâu âm: Igor Vigdorchik Thi từ: Kim Ryzhov Biên đạo: Kirill Laskari

Diễn xuất

Andrey Mironov - Jerome K. Jerome / J. / Mrs. Baikli (1 series) / Uncle Podger (ibid.) / Innkeeper (2 series) / visitor to the inn (ibid.) Aleksandr Schirvindt - Sir Samuel William Harris Mikhail Derzhavin - George (Igor Yefimov lồng tiếng) Larisa Golubkina - Anne Alina Pokrovskaya - Emily Irina Mazurkiewicz - Patricia Zinovy Gerdt - the gravedigger (1 series) Nikolay Boyarsky - 1st Grenadier (ibid.) Grigory Shpigel - 2nd Grenadier (ibid.) Yury Katin-Yartsev - 3rd Grenadier (ibid.) Anna Lisyanskaya - the hostess of the salon, whom the performance of comic songs leaves without guests (ibid.) Georgy Shtil - mustachioed captain Tatyana Pelttser - Mrs. Poppits, bà chủ nhà Fox Terriers "Duke" and "Sin" - Montmorency

Phong hóa

Âm nhạc

Soạn nhạc: Aleksandr Kolker
Soạn lời: Kim Ryzhov

Ảnh hưởng

Jerome sat down to write Three Men in a Boat as soon as the couple returned from their honeymoon. In the novel, his wife was replaced by his longtime friends George Wingrave (George) and Carl Hentschel (Harris). This allowed him to create comic (and non-sentimental) situations which were nonetheless intertwined with the history of the Thames region. The book, published in 1889, became an instant success and has never been out of print. Its popularity was such that the number of registered Thames boats went up fifty per cent in the year following its publication, and it contributed significantly to the Thames becoming a tourist attraction. In its first twenty years alone, the book sold over a million copies worldwide. It has been adapted into films, TV, radio shows, stage plays, and even a musical. Its writing style has influenced many humourists and satirists in England and elsewhere.

With the financial security that the sales of the book provided, Jerome was able to dedicate all of his time to writing. He wrote a number of plays, essays, and novels, but was never able to recapture the success of Three Men in a Boat. In 1892, he was chosen by Robert Barr to edit The Idler (over Rudyard Kipling). The magazine was an illustrated satirical monthly catering to gentlemen (who, following the theme of the publication, appreciated idleness). In 1893, he founded To-Day, but had to withdraw from both publications because of financial difficulties and a libel suit.

Jerome's play Biarritz had a run of two months at the Prince of Wales Theatre between April and June 1896.

In 1898, a short stay in Germany inspired Three Men on the Bummel, the sequel to Three Men in a Boat, reintroducing the same characters in the setting of a foreign bicycle tour. The book was nonetheless unable quite to recapture the sheer comic energy and historic rootedness of its celebrated predecessor (lacking as it does the unifying thread that is the river Thames itself) and it has enjoyed only modest success by comparison. However, some of the individual comic vignettes that make up "Bummel" have been praised as highly as those of "Boat".

In 1902, he published the novel Paul Kelver, which is widely regarded as autobiographical. His 1908 play The Passing of the Third Floor Back introduced a more sombre and religious Jerome. The main character was played by one of the leading actors of the time, Johnston Forbes-Robertson, and the play was a tremendous commercial success. It was twice made into film, in 1918 and in 1935. However, the play was condemned by critics – Max Beerbohm described it as "vilely stupid" and as written by a "tenth-rate writer".